Zprávy památkové péče - Latest articles
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Zpráva z konání metodických dnů specialistů v OstravěRůzné
Martina Lehnertová, Ludmila Stará
Zprávy památkové péče 2025, 85(2):173-174
Obrazárna hrabat z Hohenemsu v Poličce – historické souvislosti a nynější zpřístupněníRůzné
David Junek
Zprávy památkové péče 2025, 85(2):168-172
Vzpomínka na doc. Manfreda Kollera (* 1941 – † 2025)Nekrolog
Karol Bayer, Zdeněk Vácha
Zprávy památkové péče 2025, 85(2):166-167
Obnova památek je navýsost tvůrčí disciplína. Rozhovor s prof. Ing. arch. akad. arch. Václavem GirsouRozhovor
Alexander Kuric
Zprávy památkové péče 2025, 85(2):162-165
The tower of the St. James Church in Telč as evidence of structural stabilization carried out in the 1960sStudie a materiálie
Ondřej Hnilica
Zprávy památkové péče 2025, 85(2):145-161 | DOI: 10.56112/zpp.2025.2.05
The St. James Church in Telč is one of the most characteristic architectural monuments of the town, which itself is listed as a UNESCO World Heritage Site. The structural failure that affected the church tower in the 1960s was one of the most dramatic periods in its existence, not least because the tower of the church in Hustopeče collapsed at the same time. The case is approached from the perspective of the responsible authorities, experts, and construction companies. Due to the complexity of the restoration, contemporary experts B. Hacar as design consultant, and M. Cigánek were involved in the solution. Each of them represented one of the methodological...
History and preservation of the stone arch bridge in Poniklá on the Jizera RiverStudie a materiálie
Michal Panáček, Pavel Jakubec, Petr Řeřicha, Petr Fajman
Zprávy památkové péče 2025, 85(2):130-144 | DOI: 10.56112/zpp.2025.2.04
The article describes the appearance of the oldest historical stone arch bridge over the Jizera River in Poniklá, its construction development, and efforts to preserve it. The bridge was threatened with unnecessary demolition in 2021 due to poor political decisions, but thanks to the concerted efforts of experts and the general public, this was averted and the bridge was declared a cultural heritage property. The bridge is a very valuable structural and architectural work documenting the development of the state road network of regional roads around the middle of the 19th century. It was built no later than 1853 of high-quality worked sandstone and underwent...
Contribution to the understanding of the historicizing reconstruction of Hluboš Castle under the Oettingen-Wallersteins as an impetus for its preservation and presentationStudie a materiálie
Lukáš Slabý
Zprávy památkové péče 2025, 85(2):118-129 | DOI: 10.56112/zpp.2025.2.03
Based on various Czech and foreign sources, this article provides a detailed description and dating of important architectural changes to the castle complex in Hluboš (Příbram district) under the Oettingen-Wallersteins in the 1870s. These structural alterations gave the castle and its immediate surroundings their current appearance. The current owner of the castle is Chateau Masaryk s.r.o., which intends to convert it into a luxury hotel and spa. Given the historical and heritage value of the site, the study concludes with suggestions for how the information obtained could be used for a possible interior exhibition.
Hotel Rosol: A Pelhřimov drama in three actsStudie a materiálie
Lukáš Veverka
Zprávy památkové péče 2025, 85(2):107-117 | DOI: 10.56112/zpp.2025.2.02
This study focuses on the beginnings of the Pelhřimov branch of the Club for Old Prague and its attempt to save the historic Hotel Rosol. Detailed research of the archives of the Pelhřimov branch of the Club for Old Prague and extensive conversations between Zdeněk Wirth and Karel Polesný brought to light a vivid story that, based on the struggle for one historic building, reveals the various strategies of the heritage conservationists of the time as well as those of local corporations and city leaders. The case study of the Pelhřimov hotel and the entire square provides a detailed insight into the obstacles faced by heritage conservation associations...
Comet over Brno. Construction of the Masaryk Quarter between 1919 and 1925Studie a materiálie
Pavla Cenková, Aleš Homola
Zprávy památkové péče 2025, 85(2):87-106 | DOI: 10.56112/zpp.2025.2.01
This study deals with the process of forming the Masaryk Quarter in Brno in the first half of the 1920s in the context of its creation and proto-existence after 1898. It analyses the continuity of the district’s development from the initial civil servant colonies in the decades before World War I to the extensive modernist residential zone of the interwar period and culminating in the construction phase of the 1930s. The birth and appearance of the district were determined by the construction efforts of middle-class building cooperatives of Czech and German-speaking Brno residents, as well as by the work of prominent architects, including Ferdinand Hrach,...
EditorialEditorial
redakce
Zprávy památkové péče 2025, 85(2):85
Renesanční a manýristické štukatérství v Čechách a na MoravěRecenze, bibliografie
Jiří Slavík
Zprávy památkové péče 2025, 85(1):79-80
Veduty. Historická zobrazení měst českých zemí od nejstarších dob do poloviny 19. stoletíRecenze, bibliografie
Karel Kuča
Zprávy památkové péče 2025, 85(1):78-79
Přehled péče o katedrálu sv. Víta na Pražském hradě v letech 2011–2023Různé
Petr Chotěbor
Zprávy památkové péče 2025, 85(1):68-78
Po stopách šlechtických rodů: Habsburkové – domovem i v Českých zemíchRůzné
Petra Načeradská
Zprávy památkové péče 2025, 85(1):64-67
Restaurování kovů a jiná přehlížená řemesla. Rozhovor s Ivanem HouskouRozhovor
Vilém Faltýnek
Zprávy památkové péče 2025, 85(1):59-64
Comparison of approaches to the preservation of modern architecture in the context of contemporary ideological influencesStudie a materiálie
Zdislava Šimková
Zprávy památkové péče 2025, 85(1):48-58 | DOI: 10.56112/zpp.2025.1.04
The study compares two approaches to the protection of modern architectural cultural heritage. The first approach refers to the protection of First Republic buildings, especially functionalist structures, which began with the first monument protection law, No. 22/1958 Coll., on cultural monuments. The beginnings of monument protection thus took place within the socio-political system of undemocratic communist Czechoslovakia, which had to come to terms with what functionalist architecture represented for it. The second approach is devoted to the current issue of protecting buildings from the socialist period in connection with coming to terms with the...
Architect as Employee: Architect and Urban Planner Maxmilián Šimáček (1867–1944)Studie a materiálie
Ladislav Jackson
Zprávy památkové péče 2025, 85(1):33-47 | DOI: 10.56112/zpp.2025.1.03
In the canon of modern architecture, we have come to include architects who have not only achieved original creative feats, but who have also succeeded in business. Thus, other career paths have fallen out of the narrative, whether as corporate architects, architects working in government, or as employees of other architects. The example of the forgotten architect and urban planner Maxmilián Šimáček, who, after settling in Prague after World War I, made his mark on the history of Prague urbanism in particular, shows that in such a case it was far from being a failure, and the reasons for his omission must be sought deeper in his creative biography,...
Old border stones on the historic border of Bohemia and Moravia as new cultural monuments?Studie a materiálie
Petr Marek
Zprávy památkové péče 2025, 85(1):20-32 | DOI: 10.56112/zpp.2025.1.02
The aim of this article is to present the main results of the documentation of border markers on the historical border between Bohemia and Moravia. Specifically, 26 solitaires/groups represented mainly by old boundary stones are presented here. The detailed mapping of the historic Bohemian-Moravian border was carried out in the years 2020–2023 on the basis of stable and land cadaster maps and with the help of a precise GPS instrument. Only a fraction of the original several thousand border markers recorded on the old maps were traced in the field. Although more than 1200 boundary markers were documented, only 138 boundary stones can be unambiguously...
Research on the stucco decoration in the Chapel of All Saints at Telč Castle – between art history, technology, and restorationStudie a materiálie
Zdeněk Kovářík, Renata Tišlová, Zdeňka Míchalová
Zprávy památkové péče 2025, 85(1):3-19 | DOI: 10.56112/zpp.2025.1.01
The research of the Chapel of All Saints at Telč Castle shows the benefits of an interdisciplinary approach, where the joint search for answers to questions posed by art historians, restorers, and technologists leads to advances in the understanding of a well-known and much-published monument. All three perspectives converge over questions of what the interior of the chapel looked like when it was built, what techniques were used to execute the decoration, and how the approach to restoration in the 1980s affected the appearance of the interior. It is because of this restoration that today we find it difficult to find the boundaries between the Renaissance...
EditorialEditorial
redakce
Zprávy památkové péče 2025, 85(1):1
Obsah a rejstřík časopisu Zprávy památkové péče, ročník 84, 2024Obsah a rejstřík ročníku
Lukáš Hyťha
Zprávy památkové péče 2024, 84(4):579-583
Opevnění měst středověké EvropyRecenze, bibliografie
Karel Kuča
Zprávy památkové péče 2024, 84(4):572
Dějiny umění, památková péče a technologie pro materiálové průzkumy: doktorský studijní program na Univerzitě Palackého v OlomouciRůzné
Martin Horáček
Zprávy památkové péče 2024, 84(4):570-571
Reinterpretace autorství imaginárních portrétů členů rodu Rohanů na zámku SychrovRůzné
Lucie Česká, Ondřej Kubáček
Zprávy památkové péče 2024, 84(4):566-570
Přátelská vzpomínka na PhDr. Alenu Horynovou (1942–2024)Personalia
Zdenka Gláserová Lebedová, Viktor Kovařík, Jan Lebeda, Vratislav Nejedlý, Petr Skalický
Zprávy památkové péče 2024, 84(4):565-566
Frsco painting and the problem od (re)construction of artistic valuesIn Medias Res
Martin Mádl
Zprávy památkové péče 2024, 84(4):562-564 | DOI: 10.56112/zpp.2024.4.09
Art historical interpretation seeks a strategy that helps to explain a work in some broader historical, cultural, social or other more general context. However, this interpretation only takes into account certain aspects of works of art. Art historians typically focus on iconography, stylistic aspects, and the cultural, historical, and social context of the artworks‘ creation. However, they often overlook their technical and technological specificities and authentic structure, even though suitable tools for interpretation can be found in contemporary literature, among other sources, as we show with the example of Baroque wall paintings. The overriding...
Falsifying reconstructions of Carlo Innocenzo Carloni’s wallpaintings in the Clam-Gallas Palace in Prague as a symptomatic phenomenon of the state of conservation?In Medias Res
Jana Zapletalová
Zprávy památkové péče 2024, 84(4):552-561 | DOI: 10.56112/zpp.2024.4.08
The article reflects the recent restoration work on the recently uncovered murals by the important Italian painter Carlo Innocenzo Carloni on the walls of the stair hall of the Clam-Gallas Palace in Prague. The text focuses on the issues of determining the concept of the intervention, the restoration proposal, the binding opinion, the quality of the implementation by the restoration contractors, the monument supervision and the restoration report. On the basis of an analysis of information on procedural procedures, reconstruction of the sequence of events and evaluation of photographic documentation and the physical condition of the paintings from...
On the possibilities of visual rehabilitation of murals. Glosses on the background of the current reconstruction of Carlo Innocenzo Carloni’s paintings on the staircase of the Clam-Gallas Palace in PragueIn Medias Res
Adam Pokorný, Petr Skalický
Zprávy památkové péče 2024, 84(4):539-551 | DOI: 10.56112/zpp.2024.4.07
The final state of the recently restored wall paintings on the staircase of the Clam-Gallas Palace in Prague provoked somewhat embarrassed reactions. The concept of the approach and the time set aside for the realization, however, are certainly not unique or random in domestic practice. It is therefore worth noting the background of the ideological foundations of the concept as well as the social conditions, especially the procurement methods under which we are forced to carry out the restoration of important works. A detailed retrospective reflection of the restoration work carried out does not provide for the future search for solutions. What is...
Restoration work and new findings in the interiors of the Clam-Gallas Palace in PragueIn Medias Res
Petra Hoftichová
Zprávy památkové péče 2024, 84(4):517-538 | DOI: 10.56112/zpp.2024.4.06
The article analyses the restoration procedures and the development of approaches to the restoration of the Clam-Gallas Palace, based primarily on materials from the Czech National Heritage Institute (NPÚ) and restoration reports available since the 1980s. In addition, photodocumentation has been used for younger interventions, including records of the most recent reconstruction after 2018. The author presents the genesis of the construction of the palace and a brief history of the building, as well as any alterations and renovations that the building has undergone during its history. The article thus identifies the main problems that have affected...
Heritage conservation and colour of buildingsIn Medias Res
Petr Macek
Zprávy památkové péče 2024, 84(4):495-516 | DOI: 10.56112/zpp.2024.4.05
The text deals with the issue of colour in the facades of historic buildings in the context of heritage conservation from the perspective of a practical conservationist. Using the example of the Clam-Gallas Palace and other case studies, the author critically analyses approaches to colour restoration, which often lack support in historical research and are subject to aesthetic or period-specific decisions. He questions mechanical attempts to restore the „original“ appearance of buildings and points out the risks of uniform aesthetic preferences. At the heart of the author‘s reflection is the question of whether colour should be understood...